Marisa Manck (coordinator)
Cocky Eek studied Fashion Design at the Utrecht School of the Arts and graduated in 1993 with a final collection ‘Fashion is so ugly you have to change it every half year’. She did her Master degree European Fashion and Textiles Design in 1994 (FR/IT). After her studies she realized several experimental ‘wearable’ collections presented amongst Le Salon des Jeunes Stylistes in Hyeres (FR). Meanwhile she worked as a guest teacher (HKU, Rietveld Academy and Konstfack -Stockholm).
From 1999 – 2002 she collaborated with designer Maria Blaisse, investigating form and material in relation to the moving body, resulting in the Kuma Guna series (nominated by the Dutch Design Award). Together they gave a number of master-classes (MA European Fashion & Textile Design, the International Summer Academy of Fine Arts in Salzburg, and the Curtin University of Technology in Perth).
Since 2001, Cocky Eek has been an active member of FoAM [Brussels]. In close collaboration with scientists, and media-designers she did the spatial designs for responsive environments as Tgarden, TxOom and TRG (presentations include V2 and Ars Electronica 2001). Since the millennium her work has been mainly revolving around lightweight spatial compositions and her favorite media have become wind and air. This resulted in floating or flying experiments or large, voluminous forms. Her Human-Kite performances with Patrick de Koning were shown along various coastal lines, such as the Oerol Festival (NL) and the International Kite Festival in Weifang in China. She is co-founder of FoAM [Amsterdam 2005] whose main focus is the topic of human-plant inter-relations. One of their sprouts Boskoi, a project on urban foraging received an honorary mention Prix Ars Electronica 2011, was presented at ISEA and implemented in many local community’s. In 2012 she created Sphaerae, an inflatable multi-dome pavilion for immersive and synaesthetic experiences (presented at Ars Elctronica, TodaysArt festival 2013). With Schweigman& she develloped two contemporary theater pieces; Frame (presented in Shanghai 2012) and Blaas (Oerol, Torino, Boulevard, Utrecht 2013).
Arthur Elsenaar is an artist, electrical engineer and facial hacker. Since 1993, Elsenaar has investigated the computer-controlled human face as a site for artistic expression. He holds a Ph.D. in Art and Design from Nottingham Trent University in the UK for his thesis entitled “Facial Hacking: The Twisted Logic of Electro-Facial Choreography.” Elsenaar’s work has been shown at many internationally renowned conferences, festivals and institutes such as Ars Electronica, ISEA, DEAF, SIGGRAPH and MIT Media Lab. In 2008, the Stedelijk Museum in Amsterdam acquired the algorithmic facial choreography work “Face Shift” for their permanent collection. He has been a core member of the Institute of Artificial Art in Amsterdam whose work received several awards; a Prix Ars Electronica honorary mention (1997), the Leonardo Award for Excellence (2003) for a paper on the history of electric performance art. For his most recent work, Elsenaar received the Technarte Best Speaker Award (2012) in Bilbao, Spain.
Kasper van der Horst
Kasper van der Horst studied photography at the School of Photography in The Hague. During his studies he developed an interest in video, computer animation and computer graphics and started his own studio, Sparks.
In 1988 he was invited to teach video at CAM, and a year later to become a teacher at the Interfaculty Image & Sound, where he first taught analogue video and, since 1993, digital imagery. During his classes at the Interfaculty students started to develop moving digital graphics, resulting in some of the earliest VJs and visual musicians who created visuals and moving images that accompanied DJ acts, shown during the Sonic Acts Festival in 1994. During the collective research projects he often works with a small group of students on special visual effects that relate in delicate ways to the general theme of the project. In 1998 his research on dynamic video projections resulted in an astounding contribution to the closing night of the Holland Festival in Paradiso. For the ArtScience curriculum he developed many introductory courses on the subjects: Freestyle Video, Image & Sound (with Robert Pravda) and MetaMedia (with Taco Stolk). Next to these courses van der Horst organised many video workshops and collaborated on almost all of the large-scale projects at the Interfaculty. The resarch project “Structet : Building Music” in 2006 was one of the most successful performances in the Todaysart festival that year and it is the only project in the festival ́s history that was invited again, in 2011.
Since 2010 van der Horst has been directing multi screen installations for Rockheim, the museum for Norwegian pop music in Trondheim. He also designed 3d avatars for the interactive part of the museum. His work engagements range from established art institutes to broadcast and commercial media production. He directs and produces audiovisual projects. As a multidisciplinary art and technology advisor Kasper works with students, art-collectives and media-companies.
Eric Kluitenberg is an independent theorist, writer, curator, and researcher on culture, media, and technology based in Amsterdam. He has been head of the media and technology program of De Balie, Centre for Culture and Politics in Amsterdam since 1999. He taught theory of interactive media and technological culture for a variety of academic institutions, including the University of Amsterdam, the University of Professional Education of Amsterdam, Academy Minerva Postgraduate Studies in Groningen, and he was a scientific staff member of the Academy of Media Arts Cologne. Recent publications include The Book of Imaginary Media (2006), Delusive Spaces (2008) and the theme issues of Open, Journal for Art and the Public Domain, “Hybrid Space” (2006), and “(Im)Mobility” (2011).
Next to an extensive series of festivals and public events he was project leader for the practice based research trajectory “The Living Archive” at De Balie (2004 – 2010) and currently is Editor in Chief of the Tactical Media Files, an on-line documentation resource for Tactical Media practices worldwide.
Esther Polak is a visual artist active in new media. She is most well-known for her locative media projects. Polak studied at the Royal Academy for Visual Arts in The Hague from 1981 till 1986, and at the Rijksakademie van Beeldende Kunst in Amsterdam from 1986 till 1989. With a consistent interest in landscape and in contemporary ways of visualizing space and geography, Polak turned to visualization and mapping as artistic tools, and an integral part of the basic concept of her work. In several of her long-term projects such as Amsterdam Realtime, the MILK project and NomadicMILK, Polak makes mobility, routes and trajectories visible from the perspective of participants, in an intuitive and personal manner.
With the MILK project, Esther Polak won the Gada Balva Prix (Riga, Latvia) in 2004. In 2005, she was awarded the Golden Nica for Interactive Art at Ars Electronica, Linz, Austria. Since the beginning of 2010, Polak collaborates full-time with Ivar van Bekkum. Both live and work in Amsterdam, the Netherlands.
Robert Pravda studied engineering from 1987 through 1991 at the Technical University of Novi Sad (former Yugoslavia), after which he dedicated himself to making music in experimental underground circles. His interest in the interdisciplinary arts brought him to the Interfaculty Image & Sound, where he earned his degree in 2002. In 2001 he started WEIM, a workshop for his fellow students on electro-instrumental music. When he became a teacher at the Interfaculty, this workshop was transformed into the electronica improvisation ensemble RecPlay. During his studies he concentrated on building instruments for multimedia performances and making algorithmic compositions for spatial sound and light installations. His examination project, the sound-light installation 5x5x5, was awarded with the visitor’s prize of Shell’s Young Artist Award.
Recently he has been developing new musical and light instruments, performing in many formations and contexts, and he worked as composer and sound designer for several theatre productions.
Sanne van Rijn
Sanne van Rijn studied classical ballet and photography. Later she attended the Interfaculty for Image and Sound at the Conservatory in The Hague. In recent years she has staged various performances, first with ZTHollandia and later with NTGent, including This Is How I Give My Cat a Pill (Zo geef ik mijn kat een pilletje), Let’s be Firm (Laten we flink zijn) and Gradually Zero (Langzaam tot nul).
Sanne van Rijn devotes herself in her work to the extraordinary in the ordinary. ‘She carefully juxtaposes a minimal action with a minimal sound, with a minimal image, with a minimal movement, forcing the viewers to review and change their way of looking and listening, to review and change their perception of time and space. Under this transparent fabric lies silence.’
In 2000 Sanne van Rijn was awarded the VSCD Mime Prize and the Incentive Prize for Drama by the City of Amsterdam. Swan Lake (Zwanenmeer) was selected for Het Theaterfestival 2002. La Sylphide & James as well as Hey Presto! You’re a Bear! (Ik wil dat jij een beer wordt!) were nominated for the VSCD Mime Prize in 1999 and 2007.
As a performer she worked with the British ensemble Forced Entertainment in the 24 hour performance Who Can Sing A Song to Unfrighten Me? She was also seen in Christoph Marthalers Seemanslieder and in The Damned (De val van de goden) directed by Johan Simons.
Taconis Stolk is a conceptualist and metamodernist. He is the initiator of WLFR, studio for conceptualism in Amsterdam. Since the mid-nineties WLFR has been developing metamedia projects and theory concerning the aesthetics of concepts and contextual technology, often at the intersection of art and science.
WLFR projects have been exhibited, performed and published in Europe, the Americas and Asia. They deploy a wide range of media and disciplines. Examples through the years are P.I.A (interactive audio performance for magnetic card readers, 1994), fZone (website generating audio compositions based on weather conditions in the world’s time zones, 1995) PARR (research project on nano-aesthetics resulting in computer generated books and animations, 2000), BuBL Space (pocket device to disable mobile phones, 2002, with Arthur Elsenaar), Gradually Zero (experimental theatre on the beauty of numbers, 2003, with Sanne van Rijn), Genetic Design (media project on art education in genetic modification, 2004), o—o—o—o (project on intention hacking the game of chess, 2010, with ConceptsAssociated), Wf–– (nanotechnology project on creating magnetic fragrances, 2011, with Radboud University Nijmegen) and WLFRGB (video series exploring ‘impossible colours’ by hacking stereoscopic technologies, 2013).
Stolk earned his Bachelor’s and Master’s degrees at the ArtScience Interfaculty. He lectures at the Interfaculty since 1998. Current other lecturing and consulting activities include MediaTechnology MSc programme of Leiden University (since 2001), STEIM Amsterdam and the Dutch Arts Council. He is a regular speaker and writer on topics related to his practice.
Julia Willms (DE/NL) studied Visual Communications at the Academy of Fine Arts in Maastricht (The Netherlands) and Media Art at the University for Applied Arts in Vienna (Austria). Her work deals with the nature of perception, the very act of viewing itself and the shifting position of the spectator within the proposed environment. It takes form of video installations (often site specific) for the borderlines of spaces and architectual environments, performances, photo collages as well as installations and paintings.
Her works have been shown in solo and group exhibitions (GAM | Obrist Gallery/Essen, MUSA/Vienna, De Appel/Amsterdam, BNKR/Munich, Altana Kulturstiftung/Bad Homburg, a.o.), as well as in media & video art and performance festivals internationally (EMAF/Osnabrück, Almost Cinema/International Filmfestival Ghent, Netaudio London a.o.).
Since 2003 she has collaborated closely with choreographer/director Andrea Božić (www.andreabozic.com) on in-disciplinary performance projects and installations. In 2009 she co-founded in-disciplinary platform TILT with Andrea Božić, and sound artist Robert Pravda.
Julia is one of the co-founders of BAU – space for performing arts Amsterdam and teacher at the Royal Academy of the Art The Hague and mentor at the Amsterdam Master of Film. Julia has given workshops internationally (Royal Academy of Art The Hague, ICK, SPRING Festival, Interrarium – The Banff Arts Centre, a.o.).
Marisa Manck studied Cultural work at the Hogeschool van Amsterdam and proceeded to work as a project-manager at the Westergasfabriek in Amsterdam where she managed in-house production for big festivals like the Drum Rhythm festival and put effort in professionalizing cultural entrepreneurship on this unique site of industrial heritage. In the following years she produced several exhibitions and events at W139. As senior project manager at the Dutch Theatre Institute and Museum, Marisa produced several exhibitions and programs. After the Theatre Institute had to close its doors due to government budget cuts, she started studying at the Master of Education department at the HvA. Besides attending classes, she continued working for several smaller projects.